Its an oral presentation so needs to be 5-8 minutes long hence why Ive chosen the 800 word option.
It’s a persuasive essay so a wide range of persuasive techniques and vocabulary would be preferred.
Requires easy access or knowledge on the film “Hidden Figures” and its different film techniques.
11 English Unit 1 FIA2
| What do I have to do? |
| What does this speech entail? |
| I will need to include… |
| Writing my persuasive speech |
| “Things” not to forget |
Ive attached the task sheet and “Checklist
English
FIA2
Student name
| Student number Teacher Issued | |||
| Due date Marking summary | |||
| Criterion | Marks allocated | Provisional marks | |
| Knowledge application | 8 | ||
| Organisation and development | 8 | ||
| Textual features | 9 | ||
| Overall | 25 | ||
| Technique | Extended response — persuasive spoken response |
| Unit | Unit 1: Perspectives and texts |
| Topic/s | Topic 2. Knowledge is power |
| Duration | 4 weeks notification and preparation |
| Mode / length | Spoken/signed: 5–8 minutes |
| Individual / group
Resources | Individual |
Deliver a speech to persuade conference delegates that the media representation of a particular group in society is a powerful tool for raising awareness, challenging and shaping perspectives of individuals. Construct a persuasive argument that adds to the public dialogue or ‘conversation’ about the issue of power – its use and/or misuse. Use the film Hidden Figures to support your chosen perspective.
In your speech you must identify a group who has been represented in the film and analyse how they have been represented as empowered or disempowered using filmic techniques to support your persuasive argument. To complete this task, you must:
Procedural Checklist
☐ Watch the film Hidden Figures in class and at home
☐ Complete preparation work as directed by your teacher in class and for homework
☐ Use the Planning Scaffold as a guide to generate your unique response aligned to the objectives
☐ Submitted your task proposal for written feedback
☐ Submitted your final script to Turn It In
Term 1 Week 8 16th March: Task issued.
Week 9 23rd March: Consult with teacher about the focus and contention of your persuasive speech.
Week 10 30th March: Hand in draft.
Week 4 11th May: Submit final response using Turn It In and submit hard copy to teacher.
Your persuasive speech should show an understanding of the relationship between language, argument and speaker presence. Your script and delivery should show clear awareness of the audience, purpose and context of the speech.
It should include the following:
Instrument-specific marking guide (IA2): Extended response — persuasive spoken response (25%)
Assessment objectives
| The student work has the following characteristics: | Marks |
| • discerning creation of perspectives and representations of concepts, identities, times and places in a persuasive text • discerning use of the ways cultural assumptions , attitudes, values and beliefs underpin texts and invite audiences to take up positions • discerning use of aesthetic features and stylistic devices to achieve persuasive purposes. | 7–8 |
| • effective creation of perspectives and representations of concepts, identities, times and places in a persuasive text • effective use of the ways cultural assumptions , attitudes, values and beliefs underpin texts and invite audiences to take up positions • effective use of aesthetic features and stylistic devices to achieve persuasive purposes. | 5–6 |
| • appropriate creation of perspectives and representations of concepts, identities, times and places in a persuasive text • appropriate use of the ways cultural assumptions , attitudes, values and beliefs underpin texts and invite audiences to take up positions • appropriate use of aesthetic features and stylistic devices to achieve persuasive purposes. | 3–4 |
| • superficial creation of perspectives and representations of concepts, identities, times and places in a persuasive text • superficial use of the ways cultural assumptions , attitudes, values and beliefs underpin texts and invite audiences to take up positions • use of aspects of aesthetic features and stylistic devices that vary in suitability. | 2 |
| • creation of fragmented perspectives and representations of concepts, identities, times and places • fragmented use of some ways ideas underpin texts • fragmented use of persuasive language features. | 1 |
| • does not satisfy any of the descriptors above. | 0 |
Assessment objectives
| The student work has the following characteristics: | Marks |
| • discerning use of the patterns and conventions of a persuasive text, and of the role of the speaker/signer/designer, to achieve a particular purpose • discerning selection and synthesis of subject matter to support perspectives • discerning organisation and sequencing of subject matter to achieve a particular purpose, including discerning use of cohesive devices to emphasise ideas and connect parts of a persuasive text. | 7–8 |
| • effective use of the patterns and conventions of a persuasive text, and of the role of the speaker/signer/designer, to achieve a particular purpose • effective selection and synthesis of subject matter to support perspectives • effective organisation and sequencing of subject matter to achieve a particular purpose, including effective use of cohesive devices to emphasise ideas and connect parts of a persuasive text. | 5–6 |
| • suitable use of the patterns and conventions of a persuasive text, and of the role of the speaker/signer/designer, to achieve a particular purpose • suitable selection and adequate synthesis of subject matter to support perspectives • suitable organisation and sequencing of subject matter to achieve a particular purpose, including suitable use of cohesive devices to emphasise ideas and connect parts of a persuasive text. | 3–4 |
English 2019 Queensland Curriculum & Assessment Authority
General Senior Syllabus ISMG v1.5 August 2018
1
| The student work has the following characteristics: | Marks |
| • inconsistent use of the patterns and conventions of a persuasive text, and of the role of the speaker/signer/designer established • narrow selection of subject matter to support perspectives • disjointed organisation and sequencing of subject matter, with some use of cohesive devices to connect parts of a persuasive text. | 2 |
| • fragmented use of the patterns and conventions of a persuasive text, and aspects of the role of the speaker/signer/designer established • fragmented selection of subject matter • some connections between parts of the text. | 1 |
| • does not satisfy any of the descriptors above. | 0 |
Assessment objectives
| The student work has the following characteristics: | Marks |
| • discerning language choices for particular purposes • discerning combination of a range of grammatically accurate / appropriate language structures to achieve particular purposes • discerning use of spoken/signed and nonverbal features (and complementary, if appropriate) to achieve particular purposes − pronunciation, phrasing and pausing, audibility and clarity, volume, pace, silence − facial expressions, gestures, proximity, stance, movement − graphics, still and moving images, design elements, music and sound effects (if appropriate). | 8–9 |
| • effective language choices for particular purposes • effective use of a range of grammatically accurate / appropriate language structures to achieve particular purposes • effective use of spoken/signed and nonverbal features (and complementary, if appropriate) to achieve particular purposes − pronunciation, phrasing and pausing, audibility and clarity, volume, pace, silence − facial expressions, gestures, proximity, stance, movement − graphics, still and moving images, design elements, music and sound effects (if appropriate). | 6–7 |
| • suitable language choices for particular purposes • suitable use of a range of mostly grammatically accurate / appropriate language structures to achieve particular purposes • suitable use of spoken/signed and nonverbal features (and complementary, if appropriate) to achieve particular purposes − pronunciation, phrasing and pausing, audibility and clarity, volume, pace, silence − facial expressions, gestures, proximity, stance, movement − graphics, still and moving images, design elements, music and sound effects (if appropriate). | 4–5 |
| • language choices that vary in suitability • inconsistent use of grammar and language structures • use of spoken/signed and nonverbal features (and complementary, if appropriate) that vary in suitability − pronunciation, phrasing and pausing, audibility and clarity, volume, pace, silence − facial expressions, gestures, proximity, stance, movement − graphics, still and moving images, design elements, music and sound effects (if appropriate). | 2–3 |
| • inappropriate language choices • fragmented use of grammar and language structures • inconsistent and inappropriate use of spoken/signed and nonverbal features (and complementary, if appropriate) − pronunciation, phrasing and pausing, audibility and clarity, volume, pace, silence − facial expressions, gestures, proximity, stance, movement − graphics, still and moving images, design elements, music and sound effects (if appropriate). | 1 |
| • does not satisfy any of the descriptors above. | 0 |
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