ENCE IN MODERN AND CONTEMPORARY EAST ASIA
Course description:
Two central themes will run throughout the course that take into consideration new modes of mechanical reproduction and travel:i.) different ideas over time about art, artists and their role in society; and ii.) connections between “modern” and “contemporary” in relation to “art history” and “visual culture studies.”
FINAL PROJECT PROMPT
Propose an idea for an exhibition at a gallery, museum, public space, or other setting of your choice. Anchor your proposal by choosing ONE object of focus and discuss it in relation to TWO additional objects to clarify the theme you envision for the show. In fluent and grammatically correct English prose, clearly and concisely explain what is most interesting about the objects you have chosen and why you think they ought to be exhibited together. To support your proposal, use available scholarship to establish a framework for the exhibition. What are the key visual and/or material features of the objects that you want to highlight for your audience, and why? What are the central historical, artistic, social and/or political issues you want to foreground for your audience, and why? Exhibitions are often accompanied by a publication so the framework you provide in your proposal will also function as a program for further research. Pertinent non-academic sources can certainly be used (news reports, art criticism, blog entries, gossip columns, works of fiction, etc.). However, you must cite at least FIVE scholarly sources such as academic books, journal articles, and essays in edited volumes. You may choose to frame your exhibition as a critique of scholarship encountered in your research, but this is not required.
The assignment requires you to do the following:
. Primary Documents in English Translation:
Susan Bush. The Chinese Literati on Painting: Su Shih (1037-1101) to Tung Ch’i-ch’ang (1555-1636). Cambridge: Harvard University Press, 1971.
Susan Bush and Hsio-yen Shih. Early Chinese Texts on Painting. Hong Kong: Hong Kong University Press, 2012.
Doryun Chong, et al, ed. From Postwar to Postmodern: Art in Japan 1945-1989: Primary Documents. New York: Museum of Modern Art, dis. Duke University press, 2012.
Wu Hung, ed. Contemporary Chinese Art: Primary Documents. New York: Museum of Modern Art, dis. Duke University Press, 2010.
Osvald Siren, The Chinese on the Art of Painting: Texts by the Painter-Critics from the Han through the Ch’ing Dynasties. Mineaola: Dover Publications, 2005.
Online Resources:
Asian Art Archives
https://aaa.org.hk/en
Asian Art Collection – Online Collection
http://searchcollection.asianart.org/
British Museum – Collections Online
htt://wwwp.britishmuseum.org/research/collection_online/collection_object_details.aspx?objectId=33580 07&partId=1 Freer-Sackler Galleries, Smithsonian Institution https://www.freersackler.si.edu/
MET Museum
https://www.metmuseum.org/
MIT Visualizing Cultures
https://visualizingcultures.mit.edu/home/index.html
Museum of Fine Arts, Boston
http://www.mfa.org/
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