Ashford University Akbars Adventure with the Elephant Painting Essay : While you are not limited to the following paintings, the selections hyperlinked bel

Ashford University Akbars Adventure with the Elephant Painting Essay : While you are not limited to the following paintings, the selections hyperlinked below are works that are well known and most are considered masterpieces. These selections cover a range of cultures and time periods, but if there is a culture or period you don’t see represented, feel free to explore the painting that most interests you (other sources are provided in this week’s Supplemental Resources that may help you decide upon a painting). Research your selected painting (who is the artist? Why did he or she paint it? How does it represent a culture or time period?), write a short descriptive criticism and then a short interpretive/evaluative criticism where you assert that the painting should or should not be considered a masterpiece. Employ Jacobus and Martin’s four perceptual criteria for identifying art (see page 19) when deciding if the painting is a masterpiece. Cite a minimum of one reliable source in a properly formatted bibliographic citation. Primary post should be at least 200 words. Prompt and Instructions
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Primary Post: While you are not limited to the following paintings, the selections
hyperlinked below are works that are well known and most are considered
masterpieces. These selections cover a range of cultures and time periods, but if
there is a culture or period you don’t see represented, feel free to explore the
painting that most interests you (other sources are provided in this week’s
Supplemental Resources that may help you decide upon a painting). Research your
selected painting (who is the artist? Why did he or she paint it? How does it
represent a culture or time period?), write a short descriptive criticism and then a
short interpretive/evaluative criticism where you assert that the painting should or
should not be considered a masterpiece. Employ Jacobus and Martin’s four
perceptual criteria for identifying art (see page 19) when deciding if the painting is a
masterpiece. Cite a minimum of one reliable source in a properly formatted
bibliographic citation. Primary post should be at least 200 words. Due by Saturday,
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Peer-Response Posts:Agree or disagree with the masterpiece assessment of two
peers. Support your position in terms of Jacobus and Martin’s definition of art and
the criteria they set forth in the text. Also, consider the overall impact of the painting
on its audience (you). Replies should each be at least 100 words.
Suggested Paintings
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Hall of the Bulls (Links to an external site.)
A Palace Concert,
Christ Pantocrator (Links to an external site.), 500-530.
The Story of Bayad and Riyad (Links to an external site.)
Zhou Jichang’sLohans Bestowing Alms on Suffering Beings (Links to an external
site.)
La commedia illumina Firenze (Links to an external site.)(The Comedy Illuminating
Florence)
Leonardo da Vinci’sMadonna of the Rocks (Links to an external site.)
Botticelli’sPrimavera (Links to an external site.)
Basawan and Chatar Muni’sAkbar and the Elephant Hawai (Links to an external
site.)
Ethiopian Illuminated ManuscriptJohn the Evangelist page (Links to an external site.)
Albrecht Dürer’sAdam and Eve (Links to an external site.) and Knight, Death, and
the Devil (Links to an external site.)
Pieter Bruegel the Elder’sThe Triumph of Death (Links to an external site.)
Peter Paul Rubens’sThe Rape of the Daughters of Leucippus (Links to an external
site.)
Rembrandt’sSusanna and the Elders (Links to an external site.)
Velázquez’sLas Meninas (Links to an external site.)
Abd Al-Hamid Lahawri’sThe Padshahnama (Links to an external site.)
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Vermeer’sThe Art of Painting (Links to an external site.)
Jean-Honoré Fragonard’sThe Swing (Links to an external site.)
Shitao’sRiverbank of Peach Blossoms (Links to an external site.)
M.W. Turner’sThe Slave Ship (Links to an external site.)
Pierre-Auguste Renoir’sLe Moulin de la Galette (Links to an external
site.) (sometimes called Dance at Le Moulin de la Galette)
Katsushika Hokusai’sUnder the Wave off Kanagawa (Links to an external site.)
van Gogh’sThe Night Cafe (Links to an external site.)
Henri Matisse’sHarmony in Red (Links to an external site.)
Pablo Picasso’sThe Old Guitarist (Links to an external site.)
Raja Ravi Varma’sSaraswati (Links to an external site.)
Marcel Duchamp’sNude Descending a Staircase (Links to an external site.) (image
of a machine descending a staircase)
Georgia O’Keeffe’sWhite Iris (Links to an external site.)
Charles Demuth’sMy Egypt (Links to an external site.)
Frida Kahlo’sDiego in My Thoughts (Links to an external site.) (sometimes
called Diego and I)
The Luo Brothers’Welcome the World Famous Brand (Links to an external site.)
Joan Mitchell’sUntitled, 1957. (Links to an external site.)
Jorge Gonzáles’sCamerena Presencia de América Latina (Links to an external site.)
Jacob Lawrence’sThe Life of Harriet Tubman, No. 4

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