University of California Los Angeles Get Out Humanities Film Analysis Worksheet there are two parts of this assignment. ***first part of this assignment :

University of California Los Angeles Get Out Humanities Film Analysis Worksheet there are two parts of this assignment.

***first part of this assignment :

Unpack an idea

This exercise helps you fill in spots where argumentative support is lacking.

Select the analytical point from your homework from Wednesday and try to explain in more detail how the concepts or ideas fit together. Try to expand your analytical point to double the length (yes, even if it seems crappy and not good, try it!).

Basically, for every sentence in your homework analytical point, try to add commentary or explanation twice the length of the original sentence. Get down to the super basic, nitpicky explanations and really treat the reader like they’re being dense and “not getting it.”

You can just copy and paste the paragraph into the submission box and expand it that way. Or work in Word and then copy and paste it from there.

Unpack the evidence for your claims by showing how it supports your topic sentence, main idea, or thesis. For each claim or item in that analytical point, think about giving more detail, explaining it differently, and completing a “what I really mean is…” kind of statement. (It will feel silly and like you are being overly obvious. That’s how it’s supposed to feel.)

This technique will help you more deliberately explain the steps in your reasoning and point out where any gaps may have occurred within it. It will help you establish how these reasons, in turn, lead to your conclusions.

At its core, unpacking an idea can be super helpful if you only have a very short amount of time to work on a idea or paragraph. So, if this technique works for you–or you can easily amend it for your own writing style–it’s a great one to have in your “writer’s toolbox.”

****second part of this assignment:

Unpacking an idea freewrite for 5 minutes

freewrite (write exactly what you’re thinking without stopping) on what you learned in the unpacking an idea process. If it wasn’t helpful for this particular point, did it make you think of other things in your paper (current or Us essay) that could be or could’ve been explained more fully? Humanities Film Analysis Worksheet
Description of the Describe sound
Describe visuals in the
Meaning
Support from scholarly source
plot in chosen
and/or music
scene (color, camera
Statement
on related topic
scene
and/or silence in
angle, lighting,
related to
(quote and pg#)
scene
foreground/background)
descriptions
(see Yale site)
(see Yale site)
Georgina
The scene
The colour palette
The scene at
Aja Romano. “How Get out deconstructs
approaches Chris
focuses sharply
includes muted shades hand is one of the
racism for white people”, Vox, 7
to apologize for
on the
of blue and grey, not
most powerful in
March.2017,
going through his characters, thus
only scene in the room
the movie. It is
vox.com/culture/2017/3/7/14759756/getbelongings. She
highlighting the
but in the characters’
revealed to the
out-benvolent-racism-white-feminism
assures him that
foleys sounds,
costumes as well. The
audience that the
there was no
whether it’s the
dullness of the pastel
character
“funny business”.
sounds of
colours are not only
portrayed
She moves on to a
footsteps or
symbolic of the suburban through Georgina
strikingly detailed
even a small
life but of the emotional
is being
account of the
breath taken by core of the scene as well.
controlled
entire incident,
the character of
This is further
through a white
upon which Chris
Gabriele who
exemplified with the
woman. While
assures her that it herself is fighting posters and painting in
the viewers are
was not his
with the body
the room, most of them
unaware of this
intention to
she has trapped. in various shades of red revelation at this
“snitch” on her.
The beginning of and uncanny in nature.
point there are
Georgina fails to
the scene is
One of the posters
several hints that
recognize the
devoid of any
behind Chris is only
give way to this.
lingo and instead
background
scene in half and seems
It is crucial to
terms it as “tattle- score but as the
to spell out “Chris is
note that the
tale”. She further
dialogues
dead”. However, as the language used by
asserts that she is progress, a faint
scene progresses the
Georgina is
not accountable
orchestral hum
background becomes
similar to the
to anyone. Chris
lingers in the
difficult to decipher as
attempts to
background,
the characters are
lighten the
almost
brought in sharp focus.
situation by
imperceptible
This is especially relevant
mentioning how
but enough to
for Gabriele as the
he gets
set the eerie
camera moves in from
uncomfortable
tone of the
the mid long shot to an
among too many
scene. The
extreme close up of her
white people.
sound designer,
face as the dialogues
Upon hearing this
Trevor Gates,
escalate. As she moves
statement, there
cleverly uses
closer to Chris, she also
is a visible shift in tropes of horror
starts taking up more
Georgina’s
films, with
and more of the screen.
expressions and
subtlety. The
On the other hand, Chris’
there seems to be creaking of the
shot begins as a mid
an inner turmoil floor as Gabrielle close but then starts to
that is reflected
moves closer to
track out, making Chris
on her face. This
Chris does not
progressively smaller
change lasts
only add to the
while also revealing the
through a few
foreboding
“Chris is dead” poster.
seconds of silence
nature of her
These shots, which were
that is interrupted character but is taken on a zoom lens use
by a string of
also a nod to the a much wider lens than
modulated “no”s, ominous nature normally used for a close
as a tear trickles
of creaking
up. This does not only
down. She then
floors in any
help in having a starkly
moves on the
horror story.
contrasted foreground
praise the
This creaking,
and background but also
Armitages for
almost becomes
helps convey the
their compassion
a leit motif of
discomfort in the scene.
and hospitality.
the scene, small And as soon as the scene
vocabulary of an
older Caucasian
woman, as
opposed to an
African American
maid. Her failure
to recognize the
word “snitch” or
the phrase “rat
you out” is also
indicative of her
failure to
comprehend
African American
lingo and instead
resort to the
Caucasian
reference of a
“tattle-tale”.
Chris’s attempt at
empathizing with
her by saying that
he is
uncomfortable
around too many
white people,
seems to
resonate with her
on a deeper level.
The visible
discomfort on her
Having expressed
her gratitude,
Georgina
proceeds to leave
the room in swiftpaced strides.
and insignificant reaches it’s melting point face stems from a
at first, almost
and Gabriele realises
possible struggle
like the
Chris knows more than
for power
conversation
he should the focus
between the two
seems to be.
shifts off of her face and consciences, that
However, as the
takes the entire setting
is, the African
conversation
into focus, as if helping
American
unfolds and
her regain her spatial
conscience,
becomes
awareness. The ending is
struggling to
progressively
seen from Chris’
overpower the
absurd, the
perspective and the
older Caucasian
breaking
camera stays fixed while
conscience, and
becomes more
she leaves with a certain
ultimately
dominant,
sense of hurry in her
succumbing to it.
almost signalling steps. The lighting of the
The assertion
rec flags.
scene further establishes
against the
Although there
the characters. While
criticism of the
are subtle hints
Chris’ face is fully lit,
family through
in the dialogue
Gabriele is lit only from
the series of
about Gabrielle one side, thereby letting denials is almost
and “the sunken the other half of the face painful to watch.
place”, the
remain in darkness. This
There seems to
turning point is
helps demonstrate the
be a decorative
when she says “I
dichotomy of her
sense of
don’t answer to
character, a body with
gratitude that is
anyone”- a line
two people inside her,
visibly fabricated
rather strange
each struggling for
in the form of
for a house staff.
control. However, her
praises for the
The is also when
face becomes more
Armitage family.
the soft
evenly lit when the real
This scene
orchestral hum Gabriele tries to come up continues to be
starts getting
louder,
becoming more
apparent and as
the real
Gabrielle starts
to surface and
fights with the
grandma who
has taken her
body, the hum
breaks into a key
instrumental.
This, too, keeps
playing in the
background,
although much
more
pronounced
than the
orchestral score
and finally
reaches a
crescendo when
Gabriele, almost
threateningly
tells Chris “they
treat us like
family”; another
subtle hint for
the horror
from the sunken place,
thus showing a crack in
the façade.
relevant till the
exist of Georgina
from the room.
The manner of
exit makes it
evident that
there was no
room for any
more lapses,
therefore, the
need to quicken
the exit.
eventually
unravels.
Humanities Analysis Worksheet #2
Quote from Primary Source
Text (cite pg #)
Literary or writing
technique author used
Meaning Statement
related to quote
Dean: You know what I say?
I say one down, a couple
hundred thousand to go. I
don’t mean to get on my
high horse, but I’m telling
you I do not like the fucking
deer, I’m sick of it, they’re
taking over, they’re like rats,
they’re destroying the
ecosystem. I see a dead deer
on the side of the road and I
think to myself ‘That’s a
fucking start.
The author uses a
metaphorical style of
writing
The quote at hand is indicative
of much more than what
meets the eye. It is made by
Dean in reference to the
accident that Chris and Rose
were involved in, which
resulted in the death of a
deer. His approach towards
the deer’s death is rather
disconcerting as it reflects
considerable hatred for the
species. The dialogue is
metaphorical in nature, as it
resonates with the mindset of
a xenophobe, which in the
present context can be
interpreted as hatred towards
the African American
community. The deer is used
as a metaphor to suggest an
African American individual.
The sentiment of disdain
towards the entire species of
deer and the desire for their
death, is a narrative used to
suggest African American
Support from scholarly source
on related topic
(quote and pg#)
André-Naquian Wheeler. “a very persuasive
breakdown of all the hidden symbols in ‘get
out’”, i-D,31 May. 2017, https://id.vice.com/en_us/article/qvb8ev/a-verypersuasive-breakdown-of-all-the-hiddensymbols-in-get-out
genocide. Thus, this dialogues
that might initially seem to be
harmless, is filled with racist
undertones in its true essence.
Missy: Sink. Now you’re in
the Sunken Place.
The author uses a
symbolic writing style.
This particular quote is used
by the author as a symbol to
signify the marginalization of
the African American
community. The “Sunken
Place” is the theoretical
equivalent of the atmosphere
of suppression that is created
for the community, wherein
they are restricted from
voicing their thoughts. The
feeling of being paralyzed is
symbolic to the helplessness
of the marginalized
community as they are
exploited. Thus, this dialogue
is a powerful expression to
signify being stripped of power
Zack Sharf. “‘Get Out’: Jordan Peele Reveals
the Real Meaning Behind the Sunken Place”,
IndieWire, 30 November. 2017,
https://www.indiewire.com/2017/11/getout-jordan-peele-explains-sunken-placemeaning-1201902567/
and abilities and subsequently
being suppressed.
Analysis (Additional)
The movie, “Get out” takes a multi-layered approach towards addressing racism. The script as well
as the filmmaking uses subtle tricks to address large issues, by creating an atmosphere of mystery as
well as turmoil. The director uses each character to portray either a sense of helplessness or an air of
superiority. Deep-rooted racial prejudices are addressed through metaphors and satire. The movie is
an attempt at exposing the inhumanity that is innate in racism while simultaneously highlighting the
vulnerability that is felt by the exploited communities. The movie stands out as it disguises racism at
its core, behind the veil of a horror plotline. It does not reduce the severity of the issue by
introducing unnecessary diversions. It is refreshing to see that the movie does not glorify a white
saviour or any unattainable standards of bravery. Thus, it hints the right note for its audience by
successfully pulling off a gripping horror thriller, while dismantling the racism in its true essence.
Outline
First Document: Part 1 table
Describes the selected scene, that is, the scene of the interaction between Chris and Georgina, along
with a detailed analysis as per the headings allotted. I have dismantled the whole scene pointwise. I
have further analysed it from visual as well as auditory perspectives. The importance of the changing
expressions and each dialogues has been intricately analysed as well.
Second Document: Part 2 quotes
Describes two quotes. Includes the deer quote by Dean and the Sunken Place quote. It further
elaborates on its hidden undertones and explains them. The first quote, which seems simple at the
first glance has been analysed to reveal a deeper meaning, which is indicative of racism and
xenophobia. The second quotes uses a symbol to indicate a place where the African Americans are
victimised and suppressed in an atmosphere of helplessness.
Additional Analysis
Analyses the movie from the initial assignment perspective, as instructed. It explains how Get out
succeeds in portraying a subject of great importance under the mask of the horror genre, and in the
process, reveals many underlying truths.

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